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Post by WingsofCrystal on Sept 17, 2018 11:45:51 GMT
UFO Institute Published on Sep 17, 2018
Mutual UFO Network : Very bright egg shaped lights in the sky hovering then moving Amdahl glowing different colorsp
Long Description of Sighting Report:
We came home from dinner and I looked in the sky and said what are those four bright lights in the sky all in a straight line? Then they started tot around and then got back I formatik . I thought this was crazy and unusual and asked my daughter to film it. Many lights and shaped cams out of these four lights and then they formed a straight line again. This went on for about ten minutes. We felt dizzy and light after the sighting . And felt very weird, hard to explain.
CREDIT MUFON : case #94920
Date Submitted : 2018-09-15
Date of Event : 2018-09-15
8:05PM
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Crystal
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Post by GhostofEd on Sept 17, 2018 13:12:01 GMT
UFO Institute Published on Sep 17, 2018
Mutual UFO Network : Very bright egg shaped lights in the sky hovering then moving Amdahl glowing different colorsp
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Crystal Kids nowadays. Easily excitable from watching too many videos and playing games on their smartphones.
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Post by WingsofCrystal on Sept 18, 2018 12:09:19 GMT
Good mornin' Good mornin'
DeadButDreaming blog
Faeries and Aliens: A Review of ‘Thieves in the Night’
by Joshua Cutchin 16 September 2018
THIEVES IN THE NIGHT: A Brief History of Supernatural Child Abductions by Joshua Cutchin (Anomalist Books, 2018) ISBN: 9781938398957
This book comes just at the right time. The debate about the possible connections between the folkloric representations of faeries abducting children and modern alien abductions has reached the point where there seems to be a divide between writers who have been highlighting the connection for decades, and (mostly) folklorists who have been reacting against the proposition, with the view that the phenomena are not related. Likewise, there are UFOlogists who do not want to engage with the possibility that alien intervention into consensus reality has anything to do with the amorphous storytelling about folkloric faeries. Joshua Cutchin approaches the issue in an extremely even-handed manner, made all the more incisive by his ability to speak in the language of folklorists, while still retaining a left field Fortean perspective. Thieves in the Night pins down the folklore of child abduction in great detail before attempting to relay it onto the contemporary phenomenon of alien abductions, giving it an intellectual gravitas that commands attention. Despite chapter forays into the phenomenon of Sasquatch abductions and the recent cases of people going missing in national parks, this is primarily a book about explicating the link between faeries and aliens (in relation to abduction scenarios), which Cutchin does by using a wide range of data from historical sources and modern testimony. Sometimes the data is uncomfortable – we may not want the faeries of our folkloric past to become the invasive aliens of contemporary culture – but when enough evidence begins to accrue, we are obliged to accept the possibility that we might be dealing with a single phenomenon that stretches back thousands of years, and suggests that there are metaphysical entities (from the same source) who consistently intrude into our own physical reality, even extending their remit to the abduction of children. This is not subject matter easy to write about. Apart from the special-interest debate about the ontology of historic/contemporary supernatural child-abductors, there is a difficulty in discussing child abduction in general – it has become (perhaps has always been) a taboo subject, that is only allowed to be approached within certain structured codes. In this book Cutchin skilfully bypasses the taboos and grounds his hypotheses on a wealth of folklore, history and contemporary accounts, which makes a very convincing case for the faeries being one and the same as 20th/21st-century aliens, at least when it comes to abduction cases.
The link between the faeries of folklore and contemporary alien encounters was first made In 1969 by the astronomer and computer scientist Jacques Vallée, in his book Passport to Magonia. He suggested that there is a commonality to the experiences reported in alien abduction scenarios, and the reports of interactions with faeries in folklore, especially in abduction stories and anecdotes. He asserts that the aliens and the faeries are essentially the same phenomenon, tuned through the cultural receptors of the time and then interpreted accordingly. This metaphysical link was investigated further by Graham Hancock in his 2005 book Supernatural, where he details the striking similarities between certain faerie and alien encounters, again concentrating on data concerning human abduction by these entities. Both these works have been highly influential for those writers attempting to get under the skin of these phenomena, but Thieves in the Night is without doubt the most extensive assessment to date, albeit concentrating on a sub-set of the whole: child abduction. Cutchin summarises his remit thus:
“This book marks the first interdisciplinary attempt to compare child abduction from antiquity through the modern era. Predominantly, this means focussing upon Western interpretations of faerie folklore and the pernicious alien abduction phenomenon, particularly the means and motivations behind kidnapping, but multiple detours cover global traditions, Sasquatch abductions, and the recently popularised subject of disappearances in national parks.”
The focus is arranged over twenty-one chapters (profiled at the end of this review), which move first through incidences of child abduction from historic texts and folklore, and then on to the tangled web of alien abduction testimony. Cutchin marshals a vast range of documentary evidence to investigate the faerie abduction phenomenon, although restricting himself to mostly Western texts and sources. This is quite difficult to pull off without the end result being just a strung together collection of folkloric anecdotes. But even though the book does not take a strictly chronological approach, the sub-themes are arranged in such a way that the reader is immersed in the folklore, and is presented with a holistic view of how faerie abductions were understood by the people involved as well as by those reporting on the encounters. Cutchin makes extensive use of some core texts such as WY Evans-Wentz’s 1911 classic The Fairy-Faith in Celtic Countries and the writings of WB Yeats and Katherine Briggs, but, as the 1,572 endnotes and extensive bibliography suggest, he is mining some deep seams of folklore to present his case. This gives the work an ingrained authority – it’s not a collection of cherry-picked examples to support a hypothesis, but rather an attempt to genuinely convey the richness of the evidence, which demonstrates unequivocally that one of the main activities of folkloric faeries was abducting children.
The predominant method of abducting children by the faeries was through the exchange of a changeling for the human child. The worldwide stories of faerie changelings come under a group of folklore motifs recorded in the Aarne-Thompson Index of Folk Literature as F321: ‘Faerie steals child from cradle and leaves faerie substitute.’ The basic premise of these motifs is that the faeries, through supernatural means, are capable of abducting babies from humans, while replacing them with one of their own, usually a wizened old faerie who would proceed to eat and drink voraciously, and maintain a surly silence. With external advice the parents are usually advised of how to rid themselves of the changeling and restore their own baby from the faeries. The ruse is carried through and (usually) works. Cutchin devotes several chapters to changeling folklore while commenting that “… a remarkable feature of the changeling narrative is its stability… It is not only consistent in its narrative beats but also in its description of changelings.” He also notes that the changeling motif is something of an anomaly in faerie folklore. By its very nature there needs to be a component of physicalism in any changeling story; the faeries seem to be interacting directly in material reality and the changelings appear to be embedded within that reality. This is not often the case with faerie motifs, where stories and anecdotes can often be interpreted as metaphysical encounters, and the faeries seem to be interacting with humanity at the level of consciousness rather than as material entities. This is an important distinction, and also remains vital in any interpretation of alien abductions; are these supernatural beings manifesting themselves in consensus material reality as physical beings, or are they interacting with us within consciousness, leaving no corporeal residue. Cutchin is uncommitted on this point, and allows the folklore to speak for itself without imposing ideological narratives into the text.
The author also rounds up his assessment of the changeling phenomenon with a discussion of it as a folkloric device that attempts to make sense of child illness and disability in pre-modern societies by laying the blame squarely at the door of the faeries. The work of John Lindow, Carole Silver, Susan Eberly and RU Sayce are utilised to give one possible modern perspective on what the changeling stories may be:
“Descriptions of the changeling’s appearance and behaviour pointed to developmental disability and disease long before modern medicine eclipsed superstition. Viewed through contemporary eyes, most changeling stories transform from horrifying to tragic, unsettling tales of an inhuman other reinterpreted as heart-rending stories of abused children in dire need of medical assistance.”
The attempt to explain the injustice of infant sickness through the introduction of a supernatural agency into the folklore may well help us understand the deeper meanings of the stories. People sought and created a certain type of story, with defined motifs that would help to explain why children might be infirm, and the pressures it put on a family, especially in a subsistence economy. Unfortunately, many of the changeling stories include some radical solutions for dispatching the faerie and securing the return of the human baby. This frequently involves throwing them on fires, exposing them on hillsides or drowning. Sometimes the threat of these sanctions is enough to get the desired result, but there is usually some viciousness in the stories, at the expense of the changeling. Cutchin goes into some detail as to the means of dispatching changelings, and in light of the possible interpretation of the stories as justification for infanticide it makes for difficult reading.
By the beginning of the 20th century, the changeling motif was mostly relegated to the folklore of what happened in the past, but which doesn’t happen anymore. Improved hygiene and greater access to medicine, raised life-expectancy in rural populations and lowered child infirmity. At the same time the development of universal education ensured the new scientific view of child infirmity and disease replaced many of the folk beliefs that had previously attempted to explain why children became ill, and what could be done about it. But by the second half of the 20th century new culprits became the perpetrators of supernatural abduction, culturally coded to our technological sensibilities: aliens.
“Stories resembling the changeling narrative persist into the modern era, but they are rarely attributed to anything other than UFOs and extraterrestrials – regardless of how obstinately the faerie-faith bleeds into the case files of modern UFOlogy.”
These case files are derived from extremely diverse sources; unlike faerie folklore, alien abductions are primarily related by the person affected, before being viewed through a variety of interpretative lenses. Once again though, the crux of the phenomenon is whether the alien abductions are physical or metaphysical. Are there real extraterrestrials visiting earth and abducting people for their own agenda, or are these experiences acting out within the minds of the abductees, perhaps due to an altered state of consciousness? UFOlogist heavyweights such as the late Budd Hopkins and David Jacobs present the case for the Extraterrestrial Hypothesis (ETH), based on many years of research with thousands of abductees, much of which has been derived from hypnotic regression. They suggest that off-world aliens are physically abducting adults and children, with the agenda usually seen as carrying out a programme of hybridisation through a variety of means. This interpretation certainly represents the prevailing view of most abductees and probably most UFOlogists. But Cutchin promptly introduces a note of caution for this hypothesis:
“In reality, the ETH is but one of many possible explanations, and a handful of researchers staunchly propose alternative theories: UFOs could be faeries, time travellers, Jungian archetypes, manifestation of psi effects, unexplained natural phenomena, or even top secret human aircraft. Any one explanation may not even explain the entire phenomenon.”
This is more in line with the work of the late Harvard psychiatrist John Mack, who, from a very large number of case studies, came to see the alien abduction phenomenon as primarily metaphysical. This doesn’t mean that the encounters are not real, but rather that they are operating within consciousness, where the abducting entities are able to interact with humanity at a non-physical level. Cutchin remains cautious about any absolute interpretation on this and relates several cases where the aliens do seem to manifest as material creatures, with physical properties able to interface with humans and the environment. This echoes the current thinking of the most famous alien abductee, Whitley Streiber, who suggests that the aliens are functioning at a non-corporeal level of reality – pure consciousness – but that under certain circumstances their essence ‘leaks through’ to become material reality, leaving genuine material effects. Cutchin suggests this hypothesis may well be a tangible explanation for both aliens and faeries.
Chapters 11-16 go into a detailed assessment of child abductions by aliens. It is quite clear that children are more prone to be abducted than adults, but also that the abductions are rarely one-off events. Many of the adult case-studies derived from hypnotic regression show that the abductions often started in childhood and continued throughout the lives of the people reporting them. But there are also many abduction testimonies direct from children, and Cutchin investigates their legitimacy: Are they false memories? Do they represent various types of trauma transferred to a supernatural event? Or are children’s developing minds simply more malleable and accepting of a metaphysical reality than those of adults, and therefore able to describe what has happened to them without the psycho-cultural restrictions imposed on adults? Children certainly seem more willing to accept faeries as existing in reality and so why not aliens?
The case studies are well chosen, and routinely raise questions as to what is really happening to these children. There are many ontological consistencies in the abduction reports, such as the recurring theme of being levitated from bed and ‘beamed’ into an alien vehicle, which is highly suggestive that the abductee is caught up in an Out of Body Experience. But (as in adult abductions) there are frequent absurdities within the reports, such as the aliens’ penchant for using old-fashioned surgical procedures, the appearance of dead people alongside the aliens, and their proclivity for playing games with the children, such as in a report from Tynset, Norway in 1985 when “doll-sized entities in helmets allegedly emerged from a UFO to play hide-and-seek with village children for several hours.” The incongruity of many abduction scenarios is summed up by a report from England, which also demonstrates that many of the components of typical abductions were in place well before the phenomenon began to be mainstreamed from the 1970s:
“In July 1953, twelve-year-old Gerry Armstrong blacked out while skipping school in the woods. His next memory was of an angry teacher rousing him. Under hypnosis, Armstrong revealed watching a light descend into the forest, followed by two short, grey, large-eyed figures approaching him. A voice in his head urged him to not be afraid. The beings floated Armstrong to the ladder of a landed craft. After boarding, he felt the craft take off and roamed its bright interior, where he saw a large dome full of children. Armstrong’s experience ended when a woman in red ripped the cross off his necklace, telling him, ‘It’s not right to worship.’ Like the queen of the fae folk, she seemed offended by the icon.”
Thieves in the Night represents the most detailed attempt to date to collate both folklore and contemporary testimony in order to understand the phenomenon of supernatural child abduction, which has been reported as a reality for centuries. Cutchin’s assessment that there is strong evidence to link the historic stories of abductions of children by faeries and modern alien abductions is convincing, primarily due to the quality of the author’s research and ability to marshall the diverse data into interpretations that are free from any ideological agenda. He brings together folklore and UFOlogy with great dexterity, and delivers a book that suggests that while we will probably never get to bottom of the reality of supernatural child abductions, there is a strong thread of commonality running through the phenomena, which may identify the perpetrating entities as coming from the same source. Whether that source is metaphysical, psychological, cultural or a currently unknown aspect of physical reality is still open to question, but Cutchin’s wide-ranging evaluation is a real gift for future researchers into this complex subject. The last word is his:
“The parallels between aliens and faeries are remarkable and extend deeply into the lore surrounding paranormal child abduction. The means and motivations behind both phenomena imply a shared ontological reality…”
Chapter Profile:
1. THIEVES IN THE NIGHT An Introduction
2. TOO BAD FOR HEAVEN & TOO GOOD FOR HELL A Primer on the Fae Folk and Faerie Abduction
3. CHIEF VICTIMS OF THE FAIRY STROKE Risks, Methods of Abduction, & Destinations
4.NOT YOUR CHILD, NOR IS HE A CHILD Changelings
5. FRESH BLOOD AND HUMAN VIGOR Motivations Behind Faerie Abduction
6. MASTERY BEYOND THE LIGHT OF THE CAMPFIRE Preventing and Thwarting Child Faerie Abduction
7. THE ACORN BEFORE THE OAK Changeling Confirmation & Resolution
8. MARVELOUS OR DIRE Restoration or Resignation
9. HORRIFYING TO TRAGIC Medical & Psychological Perspectives on Changelings
10. NOTHING MORE FAMILIAR Paranormal Child Abduction Worldwide
11. GOING BUT NEVER GONE—COMING BUT NEVER HERE Modern Modalities of Paranormal Child Abduction: An Introduction
12. A ‘TAGGED ANIMAL’ Child Alien Abduction
13. CHILDREN OF THE NORTHERN PEOPLES Risks, Methods of Abduction, & Destinations
14. IT’S TIME TO TAKE IT Missing Foetuses
15. WE NEED BABIES Motivation & the Hybridization Theory
16. YOU ARE NOT WANTED HERE! Preventing, Thwarting, Confirming, & Resolving Child Alien Abduction
17. JUST OUT-OF-FRAME UFOlogy, Hybrids, Faeries, & Changelings: An Intersection
18. COME OUT TOWARDS THE WOODS Child Sasquatch Abduction
19. AS A BABY IN MY CRIB The Crib Creepers
20. STORM CHILD Missing 411
21. WE NEED SHAMANS Seeking Answers
deadbutdreaming.wordpress.com/2018/09/16/faeries-and-aliens-a-review-of-thieves-in-the-night-by-joshua-cutchin/
Crystal
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Post by WingsofCrystal on Sept 18, 2018 12:15:38 GMT
Federico Sciavarrello Published on Sep 18, 2018
This is a video I recorded with my phone during the moon eclipse happened the 27/07/2018. I waited to upload this video because I didn't feel sure about the origin of these lights. Now I got a theory that just like humans during that night went outside to see the eclipse so the aliens (or whatever thoose lights are) did. I recommend you to watch the video in a dark ambient since all the lights are not so big. During that night many people reported a lot of sightings in that place. I was in a beach at ostia, close to Rome.
Quesfo è un video che ho registrato con il mio telefono durante l'eclissi del 27 luglio a ostia, vicino Roma. Ho aspettato a pubblicare il video perché non ero sicuro sulle origini delle luci. Ora ho una teoria, così come gli umani sono usciti a vedere il cielo per l'eclissi così hanno fatto gli alieni (o chiunque fosse dietro quelle luci). Raccomando di vedere il video in un ambiente oscuro in quanto le luci non sono così grandi. Durante quella sera nello stesso posto sono stati riportati numerosi avvistamenti di OVNI
Recorded with a Huawei Mate 10 pro
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Crystal
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Post by WingsofCrystal on Sept 18, 2018 13:14:45 GMT
Published on Sep 18, 2018
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Crystal
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Post by GhostofEd on Sept 18, 2018 14:44:57 GMT
Federico Sciavarrello Published on Sep 18, 2018
This is a video I recorded with my phone during the moon eclipse happened the 27/07/2018. I waited to upload this video because I didn't feel sure about the origin of these lights. Now I got a theory that just like humans during that night went outside to see the eclipse so the aliens (or whatever thoose lights are) did. I recommend you to watch the video in a dark ambient since all the lights are not so big. During that night many people reported a lot of sightings in that place. I was in a beach at ostia, close to Rome. Here's what was in the sky there during the eclipse. Lots of opportunity to see planets and stars especially when people are looking upwards and noticing things they generally take little interest in. The bright light in the video to bottom right of the moon is Mars. The flashing light at the beginning of the video could be any type aircraft. Anyone interested in the night sky should get the free program Stellarium from stellarium.org. The eclipse is visible when the moon is zoomed in on within the program. Plug in the location and times of suspected light in sky UFO sightings (Rome, 7/27/18 in this case) and see what is naturally in the sky view around the timeframe of the sighting.
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Post by GhostofEd on Sept 18, 2018 14:58:17 GMT
Good mornin' Good mornin'
DeadButDreaming blog
Faeries and Aliens: A Review of ‘Thieves in the Night’
by Joshua Cutchin 16 September 2018
THIEVES IN THE NIGHT: A Brief History of Supernatural Child Abductions by Joshua Cutchin (Anomalist Books, 2018) ISBN: 9781938398957
This looks like an interesting read. From the review it looks like the material is presented in an open minded way with no wild speculation as to the explanation behind these events. Reminds me of a DrWU (wherever he is!) type book.
Amazon gives a sample of the first few chapters (Kindle Edition):
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Post by WingsofCrystal on Sept 18, 2018 16:16:16 GMT
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Post by ZETAR on Sept 18, 2018 17:01:51 GMT
THE HORSE SENSE OF WILD HORSESThey relied on their instincts to ride out the storm.
www.southernliving.com/news/wild-horses-outer-banks-hurricane-florence
We’re thrilled to report that the herds of wild horses that roam North Carolina’s Outer Banks have emerged from Hurricane Florence unscathed. Cape Hatteras National Seashore and Corolla Wild Horse Fund both confirmed on social media over the weekend that their equine populations are safe and sound following Hurricane Florence’s lashing last week.Sue Stuska, a wildlife biologist based at Cape Lookout National Seashore, explained to the Associated Press that the horses are “highly sensitive to weather changes and instinctively know what to do in a storm.” "Naturally, they are meant to be outside and they have high ground and they have thick places to hide," Stuska said. "Don't worry about them. They've survived for hundreds of years...SHALOM...Z
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Post by swamprat on Sept 18, 2018 20:43:51 GMT
"Quantum Physics", better known as, "Schrodinger's Kitty" Aahh, the uncertainty of it all! Are we alive? Are we dead? As long as no one opens our box, we are BOTH!
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Post by WingsofCrystal on Sept 18, 2018 23:16:27 GMT
Federico Sciavarrello Published on Sep 18, 2018
This is a video I recorded with my phone during the moon eclipse happened the 27/07/2018. I waited to upload this video because I didn't feel sure about the origin of these lights. Now I got a theory that just like humans during that night went outside to see the eclipse so the aliens (or whatever thoose lights are) did. I recommend you to watch the video in a dark ambient since all the lights are not so big. During that night many people reported a lot of sightings in that place. I was in a beach at ostia, close to Rome. Here's what was in the sky there during the eclipse. Lots of opportunity to see planets and stars especially when people are looking upwards and noticing things they generally take little interest in. The bright light in the video to bottom right of the moon is Mars. The flashing light at the beginning of the video could be any type aircraft. Anyone interested in the night sky should get the free program Stellarium from stellarium.org. The eclipse is visible when the moon is zoomed in on within the program. Plug in the location and times of suspected light in sky UFO sightings (Rome, 7/27/18 in this case) and see what is naturally in the sky view around the timeframe of the sighting.
Thanks Ed,
Crystal
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Post by WingsofCrystal on Sept 18, 2018 23:20:28 GMT
Crystal
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Post by WingsofCrystal on Sept 19, 2018 12:18:54 GMT
Good morning lovely people,
IGN
Laura Prudom 18 Sep 2018 9:00 AM PDT
Project Blue Book: The Stunning True Cases Behind History's New UFO Show - IGN First
The truth is out there, and it's declassified.
All September long, IGN is highlighting the best TV coming your way in the 2018-2019 season. Today, we're delving into the mysterious world of Project Blue Book, executive produced by Robert Zemeckis. The sci-fi drama tells the story of Dr. Allen Hynek, a genius college professor recruited by the U.S. Air Force to spearhead the titular operation that researched thousands of real-life cases involving Unidentified Flying Objects, many of which were never solved. The series premieres this winter on History.
It's often said that truth is stranger than fiction, but nowhere is that more evident than in History Channel's new scripted drama series Project Blue Book, based on the real-life, previously classified government investigations into UFOs that took place during the 1950s and '60s.
The show stars Game of Thrones alum Aidan Gillen as Dr. Allen Hynek, an inquisitive but practical scientist who became one of the world's leading ufologists thanks to what he encountered while working on the top-secret government project.
Gillen admits that Hynek's real-life trajectory proved to be one of the most surprising and compelling aspects of the series for him. "For somebody who joined the US Air Force as a scientific advisor, to ultimately become the person who sets up the Center for UFO Studies, and a leading figure in that world, and still retain his credibility as a scientist... He wasn’t a quack who was convinced human beings were visited daily by little green men, you know? That’s really interesting," Gillen tells IGN.
"He started as a skeptic, and did not end as a skeptic. He was a very open-minded scientist who would never take an easy out and always thought logically. At the same time, he didn’t jump to explain things away in illogical ways, like, 'well these are definitely visitors from other planets.' In fact, he was quite wary of that kind of assumption. He wanted people to keep an open mind about the possibility that there was stuff there, but not be too quick to assume where it came from."
In the show, as in reality, Hynek is recruited by the Air Force to investigate inexplicable phenomena, but rather than seeking the truth, it soon becomes clear that the government is far more interested in providing palatable, mundane answers for these extraordinary encounters in an attempt to prevent mass hysteria. Thus, he's partnered up with Captain Michael Quinn (Michael Malarkey), a by-the-book military man who is initially happy to toe the party line without asking too many questions. Quinn is an amalgam of real-life characters, but was initially based on Edward J. Ruppelt, an Air Force Captain who oversaw Project Blue Book and its predecessor, Project Grudge.
Malarkey offers us some insight into what's going through his character's head in the pivotal scene. "I think he’s starting to realize that Hynek is not the kind of guy who’s just gonna be bossed around and be an underling, which he was kind of hoping for," he says. "And he’s kind of realizing, 'okay, this guy is brilliant, but this is going to be a problem if it continues like this. So, maybe I need to teach this guy a lesson, and show him just what we’re up against here and what we’re dealing with, so he can have a firsthand experience that this isn’t a game, this is life or death. If we stall, we’re holding back proceedings.' It’s the first time we see the conflict of interest, where Quinn’s going, 'we need to close the cases,' and Hynek’s going, 'well, we can’t close the cases if it’s not one hundred percent sure that that’s what happened.' And I’m like, 'you’re missing the point, buddy.' And that’s the first time we see that difference of motive for why they’re doing what they’re doing."
Adds Gillen, "It’s pretty important for Quinn to see that Hynek is game, or for Hynek to test Quinn - [although] he’s really testing himself. And as our story progresses, we will possibly see little shifts in that dynamic, and that relationship. And I don’t mean in that it’s an endless power play, or anything like that - it’s just them getting comfortable with each other, and inspiring each other to go further in their own ways to get to the truth. And ultimately, to find themselves as a team or a union that’s more powerful [together] than individually."
Despite Quinn's attempts to keep things moving and keep his superiors happy, Malarkey admits that teaming up with Hynek "appeals to parts of Quinn’s intellect as well. He’s been used to dealing with meatheads and people who are just barking orders. And it’s the first time he’s had to go in depth and chat back and forth with another person. He’s been used to working alone. And I think he’s realizing, as time goes by that, yeah, he actually is interested. He’s spent so long shoving off that part of him that would even allow himself to be interested, and once that door is opened, he starts seeing a lot more of the subtextual things that are going on in the chain of command. And starting to get a little upset about being left in the dark about all that stuff."
While the show takes some artistic liberties in adapting Hynek's story, Project Blue Book truly is based on real-life reports and investigations into UFOs, many of which were classified up until a few years ago. There were approximately 12,000 cases reported during that period, and while many sightings did have earthbound answers, there are still 700 cases that are unexplained to this day - something that Malarkey admits helped convince him that there may indeed be other life out there in the universe.
"What surprised me the most, I think, was the sheer quantity of stories, and especially ones that are unsolved... Seeing images, hearing actual accounts. I’m a hundred percent positive there’s a lot of fake stuff in there, but the fact that there’s that much stuff, some of the stories that are just so detailed and realistic … it just made me think about it a lot more than I ever have, and, I think, tip into the point of going, 'yeah, I know pretty much for sure that there’s something else going on.' I was a considerer, now I’m a believer.
Over the course of his research and filming the show, Malarkey says he discovered some pretty disturbing stories that made him think twice about possible explanations for these cases. "I think the most disconcerting thing for me is the amount of Air Force pilots who are up there in the skies, continuously seeing these things, and also mysteriously disappearing or being silenced or having issues or dying. There’s obviously cover-ups going on. And the fact that no one is telling us why it’s so serious to cover something like this up or what it is, it makes me believe that there is something huge to be covered up," he admits. "And also, working closely with the Air Force and learning nonverbals and how things work, this was a serious national crisis. It wasn’t just 'oh, let’s check out the flying saucers!' It's like, 'This is a crisis, we’re at breaking point. Potentially there’s gonna be anarchy and complete mayhem in the United States.'"
Sounds like a pretty good justification for a cover-up, right?
To delve deeper into the mysteries of Project Blue Book, keep an eye out for it this winter on History, with a premiere date to be announced soon.
www.ign.com/articles/2018/09/18/project-blue-book-history-channel-true-story-ufo-aidan-gillen-michael-malarkey-ign-first
Crystal
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Post by WingsofCrystal on Sept 19, 2018 12:32:09 GMT
Science Magazine
Spock’s home world has been discovered (sort of)
By Daniel Clery Sep. 18, 2018 , 1:05 PM
Gene Roddenberry, the creator of Star Trek, was visionary in many ways: The Enterprise crew’s communicators presaged today’s smartphones, Bones’s sickbay mirrored in modern medical scanners, and, well, we’re still working on that transporter. Now, it seems he accurately predicted a location for science officer Spock’s home planet, Vulcan.
The magazine Sky & Telescope reports this week that back in 1991, Roddenberry and three astronomers from the Harvard-Smithsonian Center for Astrophysics in Cambridge, Massachusetts, declared in a letter to the magazine that Vulcan most likely would orbit the star 40 Eridani A. Although not mentioned in the original TV series or later feature films, a number of stars had been put forward by Trekkies as the likely locale of Vulcan. Roddenberry and his co-authors argued that 40 Eridani A was the most likely because, at 4 billion years old, an orbiting planet would have had long enough to evolve a superlogical being such as Spock.
Now, astronomers have found that 40 Eridani A, an orange dwarf star 16 light-years from Earth, does indeed have a planet. The Dharma Planet Survey, which is looking for low-mass planets around bright nearby stars, reports in a paper due to appear in the Monthly Notices of the Royal Astronomical Society that the putative “Vulcan”—officially known as HD 26965b (and shown above in an artist’s illustration)—is eight times the mass of Earth. That means it will have high gravity, probably too high to support any sort of alien life. It also orbits close enough to its star to be very hot. But then, Spock was always known to keep a cool head when the pressure starts to climb.
www.sciencemag.org/news/2018/09/spock-s-home-world-has-been-discovered-sort
Crystal
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Post by WingsofCrystal on Sept 19, 2018 12:35:33 GMT
I just picked up a used copy of Project Blue Book ($10.38) on Thrift Books. It will be interesting to read along with the television series when it comes out.
Crystal
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